Ovid's Poetics of Illusion
Philip Hardie, Philip Russell Hardie, Senior Research Fellow and Honorary Professor of Latin Literature Philip Hardie
Cambridge University Press, 07.02.2002 - 365 Seiten
This major study of Ovid's poetry is the first overarching treatment of the importance of illusion and the conjuring presence throughout his corpus. Modern theoretical approaches accompanied by close readings examine the topic from the points of view of poetics and rhetoric, aesthetics, the psychology of desire, philosophy, religion, and politics. There are also case studies of the reception of Ovid's poetics of illusion in Renaissance and modern literature and art. The book will interest those studying Latin and later European literature. All foreign languages are accompanied by translations.
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Impossible objects of desire
Death desire and monuments
the mirror of the text
art and illusion
Absent presences of language
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absent absent presence Acontius Actaeon Aeneas Alcyone already Amores Apollo appearance apple artist attempt becomes beginning body Caesar Ceyx close compared continues contrast Daphne dead death desire divine dreams echo effect elegiac elegy empty epigram erotic example exile existence eyes fact Fama fiction figure final follows further girl gods hand human husband Hyacinthus illusion imagine kind language letter linguistic living look lover means memory Metamorphoses mihi mind Narcissus narrative nature notes object opening original Orpheus Ovid Ovid's Ovidian painting parallel pastoral person personification physical play poem poet poet's poetic poetry presence puella Pygmalion reader reality reference reflection relationship repetition Roman Rome scene seen sense song speak statue story suggests Tereus textual things transformation Tristia true turn Venus verbal Virgil visual wife writing
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La métamorphose poétique chez Ovide: Tristes et Pontiques
Keine Leseprobe verfügbar - 2004