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Necessity of good trainingOf styleLegibilityOn good letteringThe
Principal reasons for paintingDefinition of paintDefinition of decoration
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adulterated applied BEARING ON CHAPTER Blow-lamp blue black Border Ornament bristles Bronze burnt sienna Camel-hair Ceiling chrome yellow clean coats cobalt Copal dado dark darker decorator deep distemper brushes driers finish Flat Varnish French ochre frieze glass glazing gold grainers graining colour green Hog-hair illustrated imitation Indian red ivory black knife knots ladders lamp-black Leaf letters light lighter Lime Blue linseed oil madder lake marble materials metal method middle chrome mixed necessary obtained oil varnishes orange chrome overgraining painters pale panels Paperhangers pencil piece pigments plaster Plate Plumb-bob powder Prussian blue purposes putty quantity QUESTIONS BEARING raw sienna removed repainting Ribband Roman Sable Writer scumbling showing Stencil student surface tints touch trade turpentine turps ultramarine umber usually Vandyke brown various varnish Varnish Brush Venetian red vermilion wall papers white lead wood woodwork Writer in Quill yellow ochre zinc