Parisian Confraternity Drama of the Fourteenth Century: The Miracles de Nostre Dame Par Personnages

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Donald Maddox, Sara Sturm-Maddox
Brepols, 2008 - Drama - 254 pages
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Parisian Confraternity Drama of the Fourteenth Century is the first volume of studies devoted solely to the Miracles de Nostre Dame par personnages. These anonymous plays, found in a single luxury manuscript, comprise the only major corpus of dramatic works in French that have survived from the fourteenth century. They derive from a rich diversity of sources: narrative miracle accounts, saints' lives, epic chansons de geste, vernacular romances, and history. Each play is preceded by a richly detailed miniature, some two dozen include a sermon in prose, and each includes at least one rondel to be sung by the cortege accompanying the Virgin. They constitute both a collective demonstration of the fervent late-medieval devotion to the Virgin, and a substantial archive of contemporary insights into the issues of power, authority, and influence that struggled for dominance in fourteenth-century Paris. As this extraordinary collection has, in its entirety, attracted little critical attention to date, this volume will be of significant interest to scholars wishing to explore the plays in their literary context, as well as those interested in medieval drama, the Marian tradition, and the role of confraternities in fourteenth-century French culture.

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Contents

Medieval Trade Guilds and the Miracles de Nostre Dame par personnages
29
The Miracles de Nostre Dame par personnages
67
The Dramatization of the Persecuted Heroine
113
Copyright

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About the author (2008)

Sara Sturm-Maddox is Professor Emerita of French and Italian Studies at the University of Massachusetts, Amherst.

Sara Sturm-Maddox is Professor of French and Italian at the University of Massachusetts, Amherst and author of several books, including Petrarch's Metamorphoses: Text and Subtext in the Rime Sparse (1985).

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