Pastoral Themes and Forms in Cervantes's Fiction

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Bucknell University Press, 1994 - Literary Criticism - 299 pages
"Pastoral Themes and Forms in Cervantes's Fiction explores the various pastoral dimensions of Cervantes's art, from his early Galatea, which is a pastoral novel, to his masterful Don Quijote de la Mancha. Dominick Finello here focuses on the pastoral's impact on the composition of Don Quijote: its rural backdrop of a rustic Spain; the literary inheritance of its characters and style; its dialogic structure, which reflects that of the pastoral novel; and the vital stimulus produced by Cervantes's direct observation of the effects of imaginative pastoral disguises and mimetic play on its characters, including bucolic games, the representation of eclogues and masques, and other such diversions. The blending of pastoral themes and forms into his fiction has led Cervantes to ring major changes on conventional patterns of the pastoral." "The pastoral's congenial interaction with the creativity of Don Quijote is apparent in the novel's settings and character conception. With regard to the settings, pastoral style in the Quijote focuses specifically on the geographical configuration and rural backdrop of Don Quijote's adventures and eventually places them in the context of the history of pastoral nomadism on the Iberian peninsula. With regard to characters, shepherds, goatherds, farmers, and other rural people appear everywhere in the Quijote; and Sancho Panza is the leading rustic personage from this group. Sancho's felicitous projection of pastoral life reflects his fundamental optimism. Don Quijote is linked to the literary shepherd through his discourse on the golden age, his imitation of the lovelord shepherd in the Sierra Morena episode of part 1, and the "Pastor Quijotiz" scheme, which signals his demise late in part 2. Dulcinea, Don Quijote's beloved, is conceived with both the rustic and literary dimensions of the pastoral heroine." "One of the essential features of the Quijote is its dialogic structure, which reflects that of the Renaissance academic colloquium and that of the pastoral novel. Another vital pastoral stimulus of Cervantes's art is his direct observation of the effects of imaginative pastoral disguises and mimetic play on his characters. The documented social customs involving pastoral mimesis (such as eclogues, masques, and games) indicate that pastoral expression and values have been integrated to a significant degree into the fabric of the lives of Cervantes's characters." "Cervantes's attitude toward the pastoral may be established through direct statements he made about pastoral authors, poems, and books. It may also be constituted through less direct means - such as the abrupt conclusion and subsequent disappearance of pastoral stories from the main narrative of the Quijote."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
 

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Contents

Introduction
15
Essential Features of the Secular Pastoral Tradition
22
The Galatea
41
Pastoral and the Creative Act in Don Quijote
59
Backgrounds
61
Characterization
82
Pastoral Dialogue Diversion Drama and the Works of Cervantes
125
Reading and Living Pastoral Dialogue Academy and Don Quijote
127
Pastoral and Theater in Cervantes
193
Cervantes Looks at the Pastoral
217
Critical Attitudes
219
Interpreting the Function of the Pastoral in Cervantess Works
233
Notes
243
Bibliography
269
Index
295
Copyright

Pastoral Diversions and the Pastoral Interludes of Don Quijote
143

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Page 16 - Who ploughed, with oxen of their own, Their small paternal field of corn. Nor trumpets summon him to war, Nor drums disturb his morning sleep, Nor knows he merchants' gainful care, Nor fears the dangers of the deep.

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