Performance Art in China

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Timezone 8 Limited, 2006 - Art - 310 pages
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Performance Art in China takes as its subject one of the most dynamic and controversial areas of experimental art practice in China. In his comprehensive study, Sydney-based theorist and art historian Thomas J. Berghuis introduces and investigates the idea of the "role of the mediated subject of the acting body in art," a notion grounded in the realization that the body is always present in art practice, as well as its subsequent, secondary representations. Through a series of in-depth case studies, Berghuis reveals how, during the past 25 years, Chinese performance artists have "acted out" their art, often in opposition to the principles governing correct behavior in the public domain. In addition to a 25-year chronology of events, a systematic index of places, names and key terms, as well as a bibliography and a glossary in English and Chinese, this study also offers the reader numerous previously unpublished photos and documents.
 

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Contents

PERFORMANCE ART IN CHINA
1
PERFORMANCE ART AND ITS CONSTRAINTS
12
BIBLIOGRAPHY
16
SOCIALPOLITICAL ACTIONS AND EARLY
34
PERFORMANCE ART AND THE ROLE OF
65
PERFORMANCE ANO THE ROLE OF
95
PERFORMANCE IN NEW MEDIA 19972OO4
132
POSITIONING EXPERIMENTAL ART AND
151
RULES GOVERNING PURLIC CONDUCT
173
Public censorship and public conduct in performance art practicesin China
181
APPENDIX I
225
APPENDIX V
297
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