Performance Artists Talking in the Eighties: Sex, Food, Money/fame, Ritual/death
University of California Press, 2000 - Art - 537 pages
Performance artist Linda Montano, curious about the influence childhood experience has on adult work, invited other performance artists to consider how early events associated with sex, food, money/fame, or death/ritual resurfaced in their later work. The result is an original and compelling talking performance that documents the production of art in an important and often misunderstood community.
Among the more than 100 artists Montano interviewed from 1979 to 1989 were John Cage, Suzanne Lacy, Faith Ringgold, Dick Higgins, Annie Sprinkle, Allan Kaprow, Meredith Monk, Eric Bogosian, Adrian Piper, Karen Finley, and Kim Jones. Her discussions with them focused on the relationship between art and life, history and memory, the individual and society, and the potential for individual and social change. The interviews highlight complex issues in performance art, including the role of identity in performer-audience relationships and art as an exploration of everyday conventions rather than a demonstration of virtuosity.
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Acconci actually Allan Kaprow Ana Mendieta art world art/life asked audience became become began body born Carolee Schneemann child childhood cooking couldn’t created culture death didn’t dream early energy erotic everything experience explore fame famous father fear feel about food feel about sex felt feminist formance friends fucked guess happen I’ve idea interested interviews John Cage Kaprow Karen Finley kids kind Kipper Kid knew learned Linda Montano living look mance Marķa Sabina Martha Rosler mother Museum never one’s painting parents people’s performance art performance artists person physical piece play political relationship remember ritual Schneemann sculpture sense sexual Skinner box social someone started Stelarc Suzanne Lacy talk theater there’s things thought tion Tom Marioni trying visual Vito Acconci what’s woman women writing York