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Foreword by Rudolf Arnheim
Some General Remarks in the Guise of
A Few Primary Principles for Graphology Students
22 other sections not shown
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analysis angle writer arcade Bernice betray capitals Chapter character Claudia clean split concealing strokes counterstroke creative depressed mood downstrokes emotional end adjustment fact father feel feminine garland gesture graphology hand handwriting sample heavy Henrik Ibsen horizontal stroke i-dot impression impressionable indicative individual inhibition initial instance instinctively intellectual intelligent interpretation intuition Klages lack last letter left margin left-slanted left-tending strokes legible letter connection libido look lower zone means method middle zone mind minimum letters mobile axis models mother narrow natural ness Palmer Palmer Method penmanship perhaps physiological pressure pattern pressureless primary pressure psychology reason rhythm right margin right slant right-tending Romain Rolland s-link schizophrenic script secondary pressure seems sexual simplified sometimes spaces between lines speak split pressure stable axis style value symbol t-bar tall taught tendency thinking tion traits unconscious upper zone upright upstroke W. H. Auden wide width William Booth word written