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American artist basic beginning Berger's Busoni cadence cantus firmus chords Chou Wen-chung chromaticism composer's composition concept CONE context contrapuntal Copland counterpoint course diatonic dominant elements example fact function harmonic hear heard hexachord idea influence instruments intervals Ives kind later leading tone linear Mannerist material means measures melodic minor motivic movement musicians Nadia Boulanger never notes octave orchestra organization performance perhaps phrase piano piece Piston's pitch pitch-class played possible present quarter-tone relationships result rhythm rhythmic Roger Sessions root scherzo Schoenberg score seems segment sense serial SESSIONS Sonata sonority sound Sprechstimme Stravinsky String Quartet structure student style Symphony teaching technique tetrachord texture thing tion tonal tonal center tone tone-cluster tonic traditional transposition triad triadic trichord tritone twelve-tone twelve-tone technique Varese Varese's Violin Webern Wolpe Wolpe's write York young composer