Petrarch: A Critical Guide to the Complete Works

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Victoria Kirkham, Armando Maggi
University of Chicago Press, Jun 10, 2009 - Literary Criticism - 568 pages
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Although Francesco Petrarca (1304–74) is best known today for cementing the sonnet’s place in literary history, he was also a philosopher, historian, orator, and one of the foremost classical scholars of his age. Petrarch: A Critical Guide to the Complete Works is the only comprehensive, single-volume source to which anyone—scholar, student, or general reader—can turn for information on each of Petrarch’s works, its place in the poet’s oeuvre, and a critical exposition of its defining features.             A sophisticated but accessible handbook that illuminates Petrarch’s love of  classical culture, his devout Christianity, his public celebrity, and his struggle for inner peace, this encyclopedic volume covers both Petrarch’s Italian and Latin writings and the various genres in which he excelled: poem, tract, dialogue, oration, and letter. A biographical introduction and chronology anchor the book, making Petrarch an invaluable resource for specialists in Italian, comparative literature, history, classics, religious studies, the Middle Ages, and the Renaissance.
 

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Contents

A Lifes Work
1
PART I AN ENDURING VERNACULAR LEGACY
31
PART II LITERARY DEBUT LATIN HUMANISM AND ORATIONS
101
PART III CONTEMPLATIVE SERENITY
163
PART IV JOURNEYS INTO THE SOUL
209
PART V LIFES TURBULENCE
243
PART VI PETRARCH THE EPISTLER
275
PART VII EPILOGUE
331
Notes
347
Bibliography
479
List of Contributors
521
Index
527
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About the author (2009)

Victoria Kirkham is professor emerita of Romance languages at the University of Pennsylvania. She is the author of three books, most recently of Fabulous Vernacular: Boccaccio’s Filocolo and the Art of Medieval Fiction. Armando Maggi is professor of Romance languages and a member of the Committee on the History of Culture at the University of Chicago. He is the author of several books, including Satan’s Rhetoric and In the Company of Demons, both published by the University of Chicago Press.

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