Philosophy of Art: A Contemporary Introduction
Psychology Press, 1999 - Philosophy - 273 pages
Philosophy of Art is a textbook for undergraduate students interested in the topic of philosophical aesthetics.
It introduces the techniques of analytic philosophy as well as key topics such as the representational theory of art, formalism, neo-formalism, aesthetic theories of art, neo-Wittgensteinism, the Institutional Theory of Art. as well as historical approaches to the nature of art.
Throughout, abstract philosophical theories are illustrated by examples of both traditional and contemporary art including frequent reference to the avant-garde in this way enriching the readers understanding of art theory as well as the appreciation of art.
Unique features of the textbook are:
* chapter summaries
* summaries of major theories of art and suggested analyses of the important categories used when talking and thinking of art
* annotated suggested readings at the ends of chapters.
Also available in this series:
Epistemology Pb: 0-415-13043-3: Ņ12.99
Ethics Pb: 0-415-15625-4: Ņ11.99
Metaphysics Pb: 0-415-14034-X: Ņ12.99
Philosophy of Mind Pb: 0-415-13060-3: Ņ11.99
Philosophy of Religion Pb: 0-415-13214-2: Ņ12.99
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account of artistic aesthetic definition aesthetic properties aesthetic theorist afford aesthetic experience analytic philosophy and/or appear approach argument Aristotle art regard art status artforms artifacts artistic form artworld attribute audience avant-garde Brillo Box candidate for appreciation chapter classify color concept of art condition for art conventionalist critic Cubism dance define art definition of art design appreciation disinterested attention Duchamp emotion example exemplification exhibit significant form expression theory expressive properties family resemblance method feeling film formalist Historical Definition historical narration human qualities identify artworks identifying art Institutional Theory intended kind literally means metaphorical Moreover narrative necessary and sufficient necessary condition Neo-Wittgensteinian neoformalism neoformalist Neolithic notion open concept painting Peter Kivy philosophy of art pictorial representation picture Plato possess premise problem question readymades relations relevant representational theory represents require sadness sense sort sufficient conditions theory of art things tion understanding viewers
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Bild, Darstellung, Zeichen: philosophische Theorien bildlicher Darstellung
Oliver R. Scholz
No preview available - 2004