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William Henry Fox Talbot
The Edinburgh Review January 1843
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aesthetic Alfred Stieglitz American Arbus Arbus's artist beautiful Brassai Calotype camera camera obscura century colour connotation criticism Daguerre daguerreotype Dorothea Lange Edward Weston effect engravings EXCERPT exhibition experience exposure expression fact feeling figure film Garry Winogrand glass graphic graphs hand Hine Hine's human idea important interest invention kind landscape lens Lewis Hine light look magazine means mechanical medium Minor White modern Nadar nature negative never Niepce object painter painting paper Paris Paul Strand perfect perhaps Peter Henry Emerson photogra photograph pictorial picture plate portraits produced raphy Rayographs Reprinted by permission reproduction result Robert Frank scene seen sense shadows significance Siskind Steichen stereoscopic Stieglitz surface things thought tion tograph took tradition truth vision visual Walker Evans wanted Weegee Weegee's Whistler's Mother Winogrand's York