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Materials and Techniques of Picture Production
The Nature of Old Pictures Their Authentication and Evaluation
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acetate acid adhesive agent alcohol ambrotype amyl acetate applied areas artist become bleaching blisters brush camera casein cause chemical cleaning and devarnishing cloth coat cracks cradle darkened developer dewarping diluted dirt dissolved drying oil edge effect employed emulsion exposure Field of F. A. film and ground filter fixing fluorescence front surface glass glue gold heat humidity illus infrared iron lacquer lens light linseed oil medium metal method microcrystalline waxes Mitteilungen fur Malerei mixed mixture mount Mouseion muslin naphtha necessary negative oil paintings paint film painted surface panel paper pastels photographic picture piece pigments plasticity plate polyvinyl acetate powder preservative prevent putty rays relining canvas removed resin restorer result retouching roentgen rubber cement shellac silver sodium sodium fluoride solution solvents sorbitol stain stretcher strips Stud Tech Technische Mitteilungen fur thin turpentine ultraviolet varnish varnish layer water soluble wax adhesive wax-resin wood wooden