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Materials and Techniques of Picture Production
The Nature of Old Pictures Their Authentication and Evaluation
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acetate acid adhesive agents alcohol ambrotype amyl acetate applied areas artist become bleaching blisters brush camera casein cause chemical cleaning and devarnishing cloth coat cracks cradle darkened developer diluted dirt dissolved drying oil edge effect employed emulsion exposure Field of F. A. film and ground filter fixing fluorescence glass glue gold heat humidity illus infrared iron lacquer lens light linseed oil medium metal method microcrystalline waxes Mitteilungen fur Malerei mixed mixture mount Mouseion muslin naphtha necessary negative oil paintings original canvas paint film painted surface panel paper pastels photographic picture piece pigments plasticity plate polyvinyl acetate powder preservative prevent putty rays relining canvas removed resin restorer result retouching roentgen rubber cement shellac silver sodium sodium fluoride solution solvents sorbitol stain stretcher strips Stud Tech technique Technische Mitteilungen fur thin turpentine ultraviolet varnish varnish layer water soluble wax adhesive wax-resin wood wooden