Picturing Ourselves: Photography and Autobiography
Photography has transformed the way we picture ourselves. Although photographs seem to "prove" our existence at a given point in time, they also demonstrate the impossibility of framing our multiple and fragmented selves. As Linda Haverty Rugg convincingly shows, photography's double take on self-image mirrors the concerns of autobiographers, who see the self as simultaneously divided (in observing/being) and unified by the autobiographical act.
Rugg tracks photography's impact on the formation of self-image through the study of four literary autobiographers concerned with the transformative power of photography. Obsessed with self-image, Mark Twain and August Strindberg both attempted (unsuccessfully) to integrate photographs into their autobiographies. While Twain encouraged photographers, he was wary of fakery and kept a fierce watch on the distribution of his photographic image. Strindberg, believing that photographs had occult power, preferred to photograph himself.
Because of their experiences under National Socialism, Walter Benjamin and Christa Wolf feared the dangerously objectifying power of photographs and omitted them from their autobiographical writings. Yet Benjamin used them in his photographic conception of history, which had its testing ground in his often-ignored Berliner Kindheit um 1900. And Christa Wolf's narrator in Patterns of Childhood attempts to reclaim her childhood from the Nazis by reconstructing mental images of lost family photographs.
Confronted with multiple and conflicting images of themselves, all four of these writers are torn between the knowledge that texts, photographs, and indeed selves are haunted by undecidability and the desire for the returned glance of a single self.
What people are saying - Write a review
We haven't found any reviews in the usual places.
Photography Autobiography I Illumination and Obfuscation Mark Twains Photographic Autobiography
Photography Autobiography II Photographing the Soul August Strindberg
Photography Autobiography III The Angel of History as Photographer Walter Benjamins Berlin Childhood around 1900
Photography Autobiography IV The Lost Photo Album of Christa Wolfs Patterns of Childhood
Other editions - View all
Albert Bigelow Paine Andrack appears argue August Strindberg aura autobio autobiographical text Barthes Barthes's becomes Berlin Childhood biography body body's Budd camera captions cenotaph child Christa Wolf cinematic Clemens constructed context create cultural daguerreotype death deconstruction depicted Eakin essay experience figure film frame gaze German Gersau Getty Center graphic graphs illusion imagine Jewish John Eakin Lenka little hunchback look Manfred Schneider Mark Twain memory metaphor mother narrative narrator's nature Nelly Nelly's object observes Oscar Rejlander particular past Patterns of Childhood person perspective photographed subject photographic flash photographic image picture portrait pose position present reader reading reference referentiality Rejlander represents reveals Roland Barthes Samuel Clemens scene seems segment self-image sense signs situation Stasi stereoscopic surveillance takes textual things tion tographs Twain's autobiography Vexierbild viewer vision visual voyeurism voyeuristic W. J. T. Mitchell Walter Benjamin word writing