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THE BACKGROUND OF HELLENIC THEORIES OF ART II
THE ORIGIN OF ART
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accept actual aesthetic Aristotle artist Athenians Athens beauty biosocial carpenter charm citizens citizenship civic Cleinias co-operation colours Crat Critias criticism Croce dancing develop Dewey Dialogues Eleatic Eleatic school empirical experience expression F. C. S. Schiller feeling formulation function Glaucon gorean Gorg Gorgias Greek Hellenic human humanist idea ideal community idealists imitation insight inspiration intellectual intelligence John Dewey judgement Laws living look mathematical Menex merely mimesis mind model city modern musician nature non-logical objective painter painting Parm Parmenides patterns Phaedr Phdo Phil philosopher physical Plato Plato's Theory play poet poetry position practical principle of ideality professional Protagoras Prtg Pythagorean R. C. Lodge R. G. Collingwood readers reality regarded Republic rhythms scientists sense social Socrates Soph sort spirit Symp technical technique Theaet Theaetetus Theory of Education thing Timaeus tones trained transcendental unity word writing