Play it Again: Cover Songs in Popular MusicThe cover phenomenon in popular culture may be viewed as a postmodern manifestation in music as artists revisit, reinterpret and re-examine a significant cross section of musical styles, periods, and genres. This book features a collection of critical perspectives on many facets of cover songs in popular music. |
Contents
A Collage and Chronicle | 11 |
Song Assimilation Through | 43 |
The Cover Song as Historiography Marker of Ideological | 77 |
Emergent Authenticity in a Japanese Popular | 99 |
Past as Prelude | 127 |
GENDER IDENTITY | 137 |
Bob Dylan | 177 |
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aesthetic album American audience authenticity band Beatles Billboard Cash Box Billy Bing Crosby Blue Bob Dylan Bowie Bowie's Capitol charted Billboard Cash chord classic collegiate a cappella Columbia context Coral cover recording cover song cover versions critical dance Decca discussion dominant culture Dylan's song Elvis Presley enka expression fans film Fontane Sisters gender genre glam guitar hard drugs Harmonettes Heap's HI-NRG Hide and Seek Hoyt Axton ideological interpretation Jimi John John Wesley Harding Johnny kata Leonard Cohen listener Love marijuana mashup music meaning melody Mercury musicians narrative identity original Pat Boone performance Pin-Ups play popular music punk Pusher queer radio RCA Victor released rendition repetition rock sense Sex Pistols significant Simone's Sinatra singer singing social song's songwriters sound soundtrack star style talking falsely television track traditional tribute tunes vocal voice Watchtower Weeks charted Billboard White Withnail youth culture


