Plays, Volume 1

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Methuen Drama, Jan 1, 1996 - American drama - 383 pages
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Sam Shepard is 'the greatest American playwright of his generation…the most inventive in language and revolutionary in craft…the writer whose work most accurately maps the interior and exterior landscapes of his society' (New York magazine)



Volume One of Sam Shepard's plays collects fourteen of his legendary plays from the sixties: The Unseen Hand; The Rock Garden; Chicago; Icarus's Mother; 4-H Club; Fourteen Hundred Thousand;Red Cross; Cowboys Forensic & The Navigators; The Holy Ghostly; Operation Sidewinder;The Mad Dog Blues; Back Boy Beast Bait; Killer's Head.

"A poet of the theatre, shaping a new language out of broken words: an emotional seismograph registering the tremors which shake the substratum of human life" (The Times)


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Contents

THE ROCK GARDEN
39
CHICAGO
53
ICARUSS MOTHER
71
Copyright

9 other sections not shown

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About the author (1996)

Shepard, one of the best dramatists currently writing in the United States, was born on an army base in Illinois and grew up mainly on a ranch in California. His first play was produced off-off-Broadway when he was 19, and he won the first of his 8 Obie Awards when he was 23. A rock lyricist and film actor as well as a dramatist, Shepard has written more than 40 plays, winning the Pulitzer Prize for drama with Buried Child (1981) in 1978. Shepard's plays show the impact of a variety of influences, including rock music, old movies, popular myths of the Old West, and the 1960s drug culture. His early plays, produced off- and off-off-Broadway, are short, bizarre, surrealistic pieces that tend to project images rather than provide ordered reflections of reality; they are characterized by compelling monologues. These plays culminate in his early masterpiece The Tooth of Crime (1981), a cross between rock concert and classical tragedy, which pits Hoss, the reigning superstar, in a verbal shoot-out against the challenger, Crow. Shepard's later work has become more realistic and more responsive to such traditional concepts of drama as plot, character, and theme. It has also brought to the forefront his previously occasional concern for the collapse of the American dream.True West (1980) is concerned with the tension between individuals, especially fathers and sons and brothers, and their struggle to define and assert their identities.Fool for Love (1983) is a masterfully constructed, searingly intense study of love, hate, and the dying myths of the Old West. And A Lie of the Mind (1986) is a landmark play revealing the mental and physical abuse that occurs in two desperate families. Bonnie Marranca has written that, "Shepard is the quintessential American playwright. His plays are American landscapes reflecting the country's iconography, myths, entertainments, archetypes, and---in a less glowing light---the corruption of its revolutionary ideals, and the disorientation of its times.

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