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FOREWORD BY HUBERT C HEFFNER 11
Puppets Then and Now
The Puppet and the Play
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achieved action actor adult Aeschylus Agamemnon appear Aristophanes Arnott artistic audi characters chorus color comedy comic Commedia Commedia dell'Arte companies conventions convey costumes device difficulty Doctor Faustus dramatist duction effect elaborate Elizabethan ence Euripides Everyman figures film Fourberies de Scapin Greek comedy Greek plays Greek tragedy hand head human imagination interest Jan Bussell Lanchesters limited live production live stage live theatre living actor Magic Flute main stage mario marionette stage marionette theatre Marlowe Marlowe's masks mechanical Medea medieval medium Mephistopheles Modern audiences movement moving nette Obraztsov Oedipus the King offer opera operator plate popular possible present problem proscenium puppet performance puppet stage puppet theatre puppetry repertoire revival rod-puppets satire scene scenic screen seen serious drama setting Seven Deadly Sins shadow simple spectator speech stage floor stage lighting strings suggest technique theatre's things tion traditional turns Valdes and Cornelius visual voice Volpone Wagner