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The Art of Playmaking
Scene Movement from Mr Moneypenny by Channing
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acter action actor appearance Aristotle artist attention audience audience's backstitching beginning Brander Matthews called CHAPTER char character circumstances comedy complete continuity course critic curtain Cyrano Cyrano de Bergerac David Belasco developed dialogue Dion Boucicault dramatic dramatist effect emotion English expression fact feel French George George Arliss George Pierce Baker give given Hamlet Hartley Manners hero human Ibsen idea important instance line of interest material matter means melodrama ment merely method mind Montcalm motion picture nature never once persons play playmaking playwright playwriting plot precipitating act present principle produced proposition purpose reason remarked requires Romeo and Juliet scene seems sense sequence Shakespeare speaking spectator speech stage star story success sympathetic side sympathy tell theater thing thought tion told truth utter vaudeville whole William Winthrop Ames words writing York