Popular Ghosts: The Haunted Spaces of Everyday Culture

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Maria del Pilar Blanco, Esther Peeren
A&C Black, Apr 1, 2010 - Social Science - 331 pages
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Haunting has long been a compelling element in popular culture, and has become an influential category in academic engagements with politics, economics, and aesthetics. While recent scholarship has used psychoanalysis and the Gothic as frameworks with which to study haunting, this volume seeks to situate ghosts in the cultural imagination. The chapters in Popular Ghosts are united by the impulse to theorize the cultural work that ghosts do within the trans-historical contexts that comprise our understanding of everyday life. These authors study the theoretical and aesthetic genealogies of the spectral, while also commenting on the multiple everyday spaces that this category occupies. Rather than looking to a single tradition or medium, the essays in Popular Ghosts explore film, novels, photography, television, music, social practices, and political structures from different cultures to reopen the questions that surround our haunted sense of the everyday.

 

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Contents

Spectral Politics of the Contemporary
77
Chasing Ghosts Into the Twentyfirst Century
147
Other Ghostly Spheres
185
Ambient Ghosts Spectral Images Sounds and Bodies
251
Select Bibliography
311
Contributors
321
Index
325
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About the author (2010)

Esther Peeren is Assistant Professor in Literary Studies at the University of Amsterdam. She has published articles on Mikhail Bakhtin, queer television, translation theory and the chronotopic dimension of diaspora. Her first book, entitled Intersubjectivities and Popular Culture: Bakhtin and Beyond appeared in 2007 with Stanford University Press and she also co-edited a collection of essays entitled The Shock of the Other: Situating Alterities (Rodopi, 2007). Currently, she is developing a project on spectrality in contemporary literature, television and film.

María del Pilar Blanco is Lecturer in Latin American Studies at University College London. She has published on the haunted landscapes of the Americas, and is currently working on her manuscript titled Ghost-watching American Modernity: Haunting, Landscape, and the Hemispheric Imagination, which has been invited by Fordham University Press. She is beginning work on a project dealing with the interface between scientific invention and poetic inventio in the works of fin-de-siècle Spanish American authors.

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