Popular Revenants: The German Gothic and Its International Reception, 1800-2000

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Andrew Cusack, Barry Murnane
Camden House, 2012 - Literary Criticism - 309 pages
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The literary mode of the Gothic is well established in English Studies, and there is growing interest in its internationality. Gothic fiction is seen as transgressive, especially in the way it crosses borders, often illicitly -- for instance, in the form of plagiarized texts or pseudo-translations of nonexistent sources. In the 1790s, when the English Gothic novel was emerging, the real or ostensible source of many of these uncanny texts was Germany. This first book in English dedicated to the German Gothic in over thirty years is aimed at students and researchers in German Studies and English Studies, and redresses deficiencies in existing sources, which are outdated, piecemeal, or not sufficiently grounded in German Studies. The book examines the international reception of German Gothic since the 1790s heyday of the Gothic novel in Britain and Germany; traces a line of Gothic writing in German to the present day; and inquires into the extraliterary impact of German Gothic. Thus the essays do full justice to the Gothic as a site of conflict and exchange -- both between cultures and between discourses. Contributors: Peter Arnds, Silke Arnold-de Simine, J rgen Barkhoff, Matthias Bickenbach, Andrew Cusack, Mario Grizelj, J rg Kreienbrock, Barry Murnane, Victor Sage, Monika Schmitz-Emans, Catherine Smale, Andrew Webber Andrew Cusack is Alexander von Humboldt Research Fellow at the Institut f r Kulturwissenschaft of the Humboldt-Universit t Berlin. Barry Murnane is Assistant Professor of German and Comparative Literature at the Martin-Luther-Universit t Halle-Wittenberg, Germany.
 

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Contents

The echo of the question as if it had merely resounded
44
Blaming the Other English Translations of Benedikte
60
Scott Hoffmann and the Persistence of the Gothic
76
In the Maelstrom of Interpretation Reshaping Terror
105
Popular Ghosts Heinrich Heine on German Geistesgeschichte
123
The Spirit World ofArt and Robert Schumanns Gothic
144
About Face E T A Hoffmann Weimar Film and
161
Of Rats Wolves and Men The Pied Piper as Gothic Revenant
181
The Lady in White or the Laws of the Ghost
200
On Golems and Ghosts Prague as a Site
222
Ein Gespenst geht um Christa Wolf Irina Liebmann
242
Works Cited
259
Notes on the Contributors
289
Copyright

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