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THE APPRECIATION OF A WORK OF ART
THE FORMATION OF OUR LIKES AND DISLIKES
THE PRINCIPLES OF DESIGN
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Absinthe actually aesthetic materials Angelico appreciation architecture areas artist attention attitude axis balance beauty blue bodily line boundaries building called Cezanne Cezanne's characteristics Chinese painting circle climax color quality combination composition conception contrast cultural curve delight depth cue developed disliked draftsman's line drive emotions effect element patterns fact feeling felt figure forms forward plane fulfillment function gradation gray ground habituation hues instance instinctive intensity interest kinesthetic light linear perspective look Matisse means means-to-end mutation ment mode moods movement natural Newfoundland dog notice objects organizing pattern painters painting perception Picasso picture plane PLATE pleasure Pope Innocent X Praxiteles principle realism Renoir representation retina Satyr sculpturesque Sea of Galilee sensations sense sensory fusions shapes simply sort space spectator statue stimulation strong surface tactile things three-dimensional mass Tintoretto tion vertical visual arts visual line visual perception wall yellow