Jerusalem Academy of Music and Dance, Oscar Brietbart Research Chair, 2003 - Biography & Autobiography - 56 pages
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THE CONDUCTORS TECHNIQUE
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accent Allegro amplitude Andante archlike motion arm motion art of conducting articulation artistic beat ending beat-giving pattern beat's becomes Beethoven beginning conductor bouncing motion brass instruments chord circlelike motion composer's conductor needs conductor's arm conductor's gesture conductor's hand conductor's motions conductor's technique counted beat deceleration delayed upbeat depends downward motion duration dynamics elbow empty bars fast tempo fermata Fifth Symphony four beats fourth beat function giving the beat hand motions hand's important incomplete beat left hand legato level of beat-giving main beat marked means metric beats metronome mixed meter music's character musical composition musicians nature pauses position rebound rehearsal relay result reveal right hand role score second beat sharp shove slow tempos Sorcerer's Apprentice sound cut-off staccato starting upbeat stop strike string instruments Symphony Tchaikovsky third beat three beats triple rhythm Tristan und Isolde type of musical understanding upbeat motion upward motion wave wrist motions