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Part Two A Psychological Commentary on Yerma
Part Three A Symbological Commentary on Blood Wedding
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adult animal appears aspect attitude balconies barren behavior Belisa Blood Wedding Bride character child conflict consciousness cradlesong creative critics death depicted discussion don Perlimplin dramatic duende ego-consciousness Erich Neumann Ernest Jones erotic fact fairy tale fantasy Federico Garcia Lorca fertility five strangers force forest Freud Freudian frigid hermaphrodite hero human husband hysteria Ibid infantile instinct Interpretation of Dreams Juan Juan's killed kind Lady Leonardo libido limplin lover lullaby magic male manifest marchita Marcolfa marriage married masculinity material means moon moral mother motherhood motif neurotic never one's Perlimplin Perlimplin's suicide person phallic dwarf phallic stage phallus Pierrot play poet primitive problem psyche psychic psychological represents Rumpelstiltskin says scene schlemiel seeks sense sexual singing sleep solar horse soul Spanish Spanish Literature spiritual sterile story symbolic takes theory tree Trickster unconscious wedding night wicked stepmother wife woman women woodcutter Yerma young