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HISTORY AND ART
THE EXPRESSION OF CHARACTER
THE RELIGIOUS BACKGROUND
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admiration aesthetic architect architecture artist belong building Cathedral Cezanne churches civilisation classical colour common contemporary crafts creative critics cubistic culture decorative EDWARD WADSWORTH eighteenth eighteenth-century emotion English Eric Gill eyes fact feeling film forms French genius Giotto Gothic Gothic art Greek art harmony human ideal ideas imagination individual Inigo Jones instinct intellectual intelligent interest landscape less LINCOLN CATHEDRAL literature living look Masaccio material means medieval ment mind modern art moral Museum nature nineteenth century original outlook painter painting Parthenon PAUL NASH pictorial art picture Piero della Francesca pleasure poet poetry popular Pre-Raphaelites principles produced purpose recognise religion of beauty religious romantic SANDLING PARK sculpture seen sense sentiment social society sort soul spirit standard style suggests taste Tate Gallery things thought tion to-day tradition true truth unity Victorian visible arts vision whole William Blake word