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amongst appears attention Author body causes century character Christ Christian Church close cloth condition connection considerable continued decline desire direct discipline disownment Divine doctrine early Edition effect ELDER England English Essays exercise existing experience faith feeling Fox's George Fox give heart Holy human hundred idea Illustrations importance increased INDIA influence interesting knowledge labour less light lively Lord manner marriage matter means membership mind ministers monthly meetings nature Note novel object observation original parties period persons position possessed Post 8vo practical present profession Puritans Quakerism Quarterly reader reason recorded regarded religion religious remarkable respecting result Review says Scripture Society of Friends Society's Spirit story style teaching things thought thousand tion true truth views vols volume whilst whole worship writings written Yearly Meeting young
Page 189 - The rules are clearly and fully laid down ; and the earlier exercises always conducive to the end by simple and unembarrassing means. The whole volume is full of liveliness." — Spectator. " We close this book with a feeling that, though nothing supersedes a master, yet that no student of art should launch forth without this work as a compass.
Page 149 - There is nothing so revolutionary, because there is nothing so unnatural and so convulsive to society as the strain to keep things fixed, when all the world is by the very law of its creation in eternal progress ; and the cause of all the evils of the world may be traced to that natural but most deadly error of human indolence and corruption, that our business is to preserve and not to improve.
Page 188 - Mr. Thackeray has selected for his hero a very noble type of the cavalier softening into the man of the eighteenth century, and for his heroine one of the sweetest women that ever breathed from canvas or from book, since Raffaelle painted and Shakspeare wrote. The style is manly, clear, terse, and vigorous, reflecting every mood— pathetic, graphic, or sarcastic — of the writer.