Rasa in Aesthetics: An Application of Rasa Theory to Modern Western LiteratureDr. Patnaik Elucidates The Fundamentals Of The Rasa Theory And Applies The Canons Of This Theory To Various Modern Western Literary Works, Chinese Love Lyrics And The Japanese Haiku Poems. Its Historical Development And Recognition Are Discussed. |
Contents
INTRODUCTION | 1 |
ན RASA | 13 |
Sthāyibhāvas Vyabhicāribhāvas | 25 |
Copyright | |
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Abhinavabhārati accompanying According to Abhinavagupta adbhuta rasa Aesthetic Experience According Aesthetic Rapture alienation Anandavardhana anger anubhāvas Bharata Bhartṛhari bhāvas bibhatsa and bhayānaka bibhatsa rasa Book of Sand cause comedy comes comic context courage death Delhi delight depicted discussed disgust drama dynamic energy earlier eight rasas element emotions essence fact fear flavour Franz Kafka fury gives rise grotesque Haiku Heart of Darkness Hence heroic holds the possibility implies important incomprehension Indian tradition inimical instance involves Jonathan Livingston Seagull karuṇa karuna rasa kind laughter lead little prince look Lord Jim love-in-separation Mahābhārata manifestation metaphysical mokṣa narrator Natya Sastra Norton Anthology object perceiver poem poetics poetry Rāmāyaṇa rasa experience rasa theory raudra rasa reader relation response Sanskrit śānta santa rasa says sense Siddhartha sorrow soul śṛngāra śṛngāra rasa sthāyibhāva suggested T.S. Eliot terrifying things tragedy transcendence Upanisads vibhāvas violence vira rasa vyabhicāribhāvas wonder words