Re-Dressing the Canon: Essays on Theatre and Gender

Front Cover
Taylor & Francis, Mar 9, 2004 - Performing Arts - 224 pages
0 Reviews
Re-Dressing the Canon examines the relationship between gender and performance in a series of essays which combine the critique of specific live performances with an astute theoretical analysis. Alisa Solomon discusses both canonical texts and contemporary productions in a lively jargon-free style. Among the dramatic texts considered are those of Aristophanes, Ibsen, Yiddish theatre, Mabou Mines, Deborah Warner, Shakespeare, Brecht, Split Britches, Ridiculous Theatre, and Tony Kushner.
Bringing to bear theories of 'gender performativity' upon theatrical events, the author explores:
* the 'double disguise' of cross-dressed boy-actresses
* how gender relates to genre (particularly in Ibsens' realism)
* how canonical theatre represented gender in ways which maintain traditional images of masculinity and femininity.

What people are saying - Write a review

RE-DRESSING THE CANON: Essays on Theatre and Gender

User Review  - Jane Doe - Kirkus

Theater critic, dramaturge, and Village Voice staff writer Solomon (English and Theater/City Univ. of New York Graduate Center) offers a fresh, authoritative view of the canon as the seat, not the ... Read full review

Other editions - View all

References to this book

All Book Search results »

About the author (2004)

Alisa Soloman is a theatre ciritic, teacher and dramaturg in New York City. She is Associate Professor of English and Theatre at CUNY and a staff writer at the Village Voice.

Bibliographic information