Reading, Writing, and Romanticism: The Anxiety of ReceptionOUP Oxford, 2000. 10. 5. - 397페이지 Reading, Writing, and Romanticism bridges a perceived gulf between materialist and idealist approaches to the reader. Informed by an historical awareness of Romantic hermeneutics and its later developments (as well as by an understanding of the circumstances conditioning the production and consumption of literature in this period), the book explores how readers are imagined, addressed, figured and theorised in Romantic poetry and criticism (1790-1830). Models of canon-formation, intertextuality and reader-response are examined alongside the existence of reading-coteries, the social practices of reading, and reforms in copyright. Consideration is given to the philosophical and ideological influences which bear upon the status of reading at this time, as well as to the educational theories and practices which underpin reading-habits. Non-canonical writers are included, and special attention is given to the emergence of women's poetry - its repercussions for the poetics of reception. |
목차
THE SENSE OF AN AUDIENCE | 3 |
Authorship and the Public Sphere | 13 |
Reputation | 30 |
Reading Consumption | 39 |
COLERIDGE | 49 |
WORDSWORTH | 91 |
Ballads 1800 | 117 |
An Epitaphic | 124 |
Barbauld and Jones | 248 |
DEFENCES | 263 |
Copyright and the Paradox of Romantic Authorship | 269 |
CanonFormation Connectiveness and Recuperation | 289 |
REPETITION | 298 |
Hermeneutic | 311 |
Women Readers and the Dangers of Sympathetic | 317 |
AN AMBIGUOUS | 333 |
ANNA BARBAULD | 134 |
The Reception of Eighteen Hundred and Eleven | 164 |
COMPETITION AND COLLABORATION | 173 |
Envy Irony and the Rivalry of Genres | 215 |
FEMINIZING THE POETICS OF RECEPTION | 224 |
From Sheridan to Thelwall | 339 |
| 372 | |
| 391 | |
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addressed aesthetic Anna Letitia Barbauld anonymous anxiety of reception argued audience Barbauld become Biographia Byron century Christabel claims Coleridge Coleridge's contemporary creative criticism culture defence discourse Dorothy Dorothy Wordsworth echo Edinburgh Edinburgh Review essay fame fear feelings female feminine figure friends gender genius genre Hazlitt Henry Crabb Robinson hermeneutic hierarchy of genres Ibid ideal identity imagination implications Keats kind Kubla Khan Lamb language Lectures letter literary literature London Lyrical Ballads Mary Shelley Mary Wollstonecraft masculine metaphor Milton mind narrative novels Oxford parodist parody Peacock periodical Peter Bell poem poem's poet poet's poetics of reception poetry political popular Preface Priestley published Quincey quoted readers reading aloud reading-public respect reviewers rhetoric role Romantic Romanticism sense Shakespeare spirit status sublime suggests sympathy taste tion Tom Paulin tradition University Press verse voice Warrington Academy Wollstonecraft woman women writers words Wordsworth Prose writing-reading