The advocacy of empirical reality for determining aesthetic value.
Aesthetics has typically been regarded as an arena where claims about truth cannot be made as questions about art seem to involve more matters of taste than knowledge. In Real Beauty, however, Eddy Zemach maintains that beauty, ugliness, gracefulness, gaudiness, and similar aesthetic properties are real features of public things and argues that whether these features are present is a matter of fact that can be empirically investigated.
By examining the opposing nonrealistic views of Subjectivism, Noncognitivism, and Relativism, Zemach attempts to show how anti-realistic interpretations of art generate absurd results and leave the realistic reading as the only cogent semantic interpretation of aesthetic statements. By discussing what inclines most people to hold nonrealistic views in aesthetics, such as the fluctuations of taste in fashion, Zemach argues that Realism can account for these fluctuations. He proposes that the aesthetic value of some things is due to their relations to other things and that relation may be temporal, resulting in the need for of a temporal point for the correct temporal angle from which to view things. Zemach concludes that great art reveals significant truths about reality and that significantly true statements are aesthetically valuable, hence truth is an aesthetic merit.
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Taste and Time
The Ontology of Aesthetic Properties
Criteria of Interpretation
Ontology and Art
Referring to Nonexistents
Truth in Art
Index of Names
Index of Subjects