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From Melodrama to Realism from True Woman to 4483
Most good writing is a kind of propaganda Domestic 84 121
There are no plays which are not social Lorraine 122 166
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Alice Childress Alice Gerstenberg American argues Arlene Arlie Arlie's artists audience members Belsey Beneatha black actors black women Brecht Broadway Carter Chicago Children's Hour civil rights classic realist contemporary daughter depicts dissertation Dolan domestic expressionism expressionist feel female feminism feminist drama feminist movement feminist realist feminist theatre gender Gussow Hansberry and Childress Hansberry's Heidi Chronicles Hetty husband Ibsen issues Jessie Julian Karen Lena lesbian Lillian Hellman Lily Little Foxes Little Theatre movement lives Lorraine Hansberry Lukacs MacGowan Maggie male Mama marriage married Marsha Norman melodrama mother never Norman's play offers oppression patriarchal play's political poststructuralist Pulitzer racial racism realism realist drama realist form realist play realist playwrights recognize Regina role Sayler scene sexual Sisters Rosensweig social stage stereotypes struggle success tells Thelma traditional Trouble in Mind Uncommon Women understand Warkins Wendy Wasserstein Wiletta woman women playwrights writing wrote York young