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action actors Akiko Akira audience Ayako become benshi Bordwell boss Bunkichi camera characters Chuji classical comedy comic commingled critics cultural death decorative dialogue directors discourse Donald Richie drama early Equinox Flower essay feudal film's filmmakers flashback foreign films function geisha genre hero Hirayama human Itami Japa Japan Japanese cinema Japanese film jidai-geki joruri Kabuki kamishibai katsuben Katsunosuke kodan Kurosawa Mizoguchi modern mono no aware movie narration narrative Nihon Nikkatsu ninjo Noriko Oharu Oryu Oshima Otoku Ozu's performance period film play plot popular postwar prewar rakugo Rashomon ronin Samurai Film Sato Tadao scene screen Seiichi sense sequence shimpa Shochiku shomin-geki shot shows Shukichi silent social society sound stage story storytelling structure studio style stylistic subgenre survive Sword Film takes talkies Tamura Tanaka Teruko theater tion Tokyo traditional Watanabe Western wife woman yakuza films yakuza genre Yoshida Yoshizawa Company