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RENAISSANCE AND BAROQUE
Baluster after Michelangelo
Capitol Palazzo dei Conservatori
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Alberti already Antonio appears arches architecture articulation artist baroque baroque style bays became become body Bramante's broad building central centre church clear columns completely composition conception contrast cornice course courtyard decoration direct dome early effect elements entirely example expression façade fact figures floor followed force formal fountain frame front garden Gesù given ground hand heavy idea important independent individual interior Italy kind later less light longer lower Maria mass massive means Michelangelo motif movement nature nave never niches origin painterly painting palace Palazzo Farnese pediment period Peter's pilasters possible proportions Raphael remained Renaissance Roman Rome Sangallo seems seen sense shows side single space spirit staircase storey structural style suggestion surface thing upper Vasari Vignola Villa wall weight whole