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Locked up and beaten and flung
Women and Cultural Production
What should chaste ears do at a play?
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accused action Amintor Arethusa audience Bartholomew Fair behaviour Ben Jonson boy players chaste chastity comedy comic conflict context conventional court David Underdown debate Dekker discussion dramatic dramatic structures dramatists Duchess Duchess of Malfi early modern effect Elizabeth Sawyer Epicoene Eurymine evidence example explicitly familiar fantasy female feminism feminist feminist criticism feminist reading Fletcher gender Goodcole Grissil Harebrain hath Helen Mirren heroine Heywood historical honour husband ideological insisted Jacobean joke Jonson Lady language literary lover lust male marriage married misogynist misogyny moral moreover mother narrative Nevertheless notion offered Othello particular patriarchal Petruchio Philaster play pleasures plot poetic political potential presented production question representation of women rhetoric Roaring Girl role satiric scene seen sexual relations Shakespeare shee social stage story structures Stubbes theatre theatrical thee thou tradition Truewit violence wife Witch of Edmonton witchcraft witches witty woman women characters
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