Restoration Shakespeare: Viewing the VoiceBetween 1660 and 1682 seventeen versions of Shakespeare's plays were made for the newly reopened public theatres in London, and in its three parts 'Restoration Shakespeare: Viewing the Voice' offers a new view of why and how such adaptation was undertaken. Part I considers the seventeenth-century debate about how dramaric poetry works on the mind. Part II offers an analysis of each play with regard to its visual and metaphorical effects. Part III concludes with a review of Shakespeare's reputation in these years, drawing a distinction between what readers and playgoers would have known of him. |
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Obsah
37 | |
39 | |
50 | |
The Tragedy of Hamlet Prince of Denmark ?1668 | 63 |
Sauny the Scot or The Taming of the Shrew 1667 | 68 |
The Tempest or The Enchanted Island 1667 | 74 |
Miseries and Civil War | 89 |
The Tempest or The Enchanted Island Opera 1674 | 90 |
The Misery of Civil War Henry VIs 1680 | 135 |
The History of King Richard the Second or The Sicilian Usurper Richard II 1680 | 144 |
The History of King Lear 1681 | 153 |
Henry the Sixth The First Part with the Murder of Humphrey Duke of Glocester 1681 | 166 |
The Ingratitude of a Commonwealth or The Fall of Caius Martius Coriolanus 1681 | 181 |
The Injured Princess or The Fatal Wager Cymbeline 1682 | 191 |
Conclusion | 199 |
The Editions Referred to in This Study | 209 |
or The Enchanted Castle 1674 | 95 |
The History of Timon of Athens the ManHater 1678 | 98 |
Titus Andronicus or The Rape of Lavinia ?1678 | 111 |
Troilus and Cressida or Truth Found Too Late 1679 | 120 |
The History and Fall of Caiuss Marius Romeo and Juliet 1680 | 128 |
Notes | 215 |
Bibliography | 277 |
295 | |
Běžně se vyskytující výrazy a sousloví
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Oblíbené pasáže
Strana 46 - Ay, but to die, and go we know not where; To lie in cold obstruction and to rot; This sensible warm motion to become A kneaded clod; and the delighted spirit To bathe in fiery floods, or to reside In thrilling region of thick-ribbed ice; To be imprison'd in the viewless winds, And blown with restless violence round about The pendent world: or to be worse than worst Of those that lawless and incertain thought Imagine howling: — 'tis too horrible!
Strana 34 - em necessary to raise it; but to use 'em at every word, to say nothing without a metaphor, a simile, an image or description, is, I doubt, to smell a little too strongly of the buskin.
Strana 29 - But that which did please me beyond anything in the whole world, was the wind-musique when the angel comes down ; which is so sweet that it ravished me, and indeed, in a word, did wrap up my soul so that it made me really sick, just as I have formerly been when in love with my wife...
Strana 31 - And indeed, the indecency of tumults is all which can be objected against fighting : for why may not our imagination as well suffer itself to be deluded with the probability of it, as with any other thing in the play...
Strana 45 - What, do I love her, That I desire to hear her speak again, And feast upon her eyes? What is't I dream on? O cunning enemy, that, to catch a saint, With saints dost bait thy hook!