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Rightness and Reasons in Musical Intrepretation
Imputational Interpretation in Art Poetry
Imputation and the Comparison of Interpretations
ObjectsofInterpretation and Their Indeterminacy
anti-imputationalist argument basic facts Beethoven's characteristically claim Clifford Geertz competing interpretations conceptual scheme consider constituted constrained construal construed context Correspondingly creative creator cultural entities cultural practices determinate distinction E. D. Hirsch embrace ethnocentrism example Goldstein grounds Hirsch historical past holds idea ideally admissible interpretations imputational interpretation imputationalist incest incommensurable incongruent independent objects independent of interpretation indeterminacy indeterminate inter interpre interpretive practices Joseph Margolis Karl Popper language meaning medicineman Michael Krausz middle-sized objects monism multiplist condition musical interpretations Muti's Novitz Nowell-Smith object-of-interpretation objects-of of-interpretation ontological constructionism ontological constructionist ontological realism overarching standard performance personal program pertinent philosophical pluralizing maneuver Popper postulated Potato Eaters practice-independent objects praxial ideality pretation Put otherwise question R. G. Collingwood range of ideally real past reasons Relativism respect Riccardo Muti Richard Rorty sciences score sense separating admissible single right interpretation singularism and multiplism singularist condition Symphony unicitous Vincent Van Gogh Zemach