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alcove Alonso answer arch beautiful blood bows breath bugle bugle call Castle Drachenfels child comes Count Falkenstein Cries crosses CURIO curtain rises dance David dear death DIETRICK dream ELBA Elsa emotion enemy Exit eyes face father feeling flower friends gazes give goes gunde gypsy girl hand happy harp head hear heard heart Heaven Hilde Hildegunde and Beatrice Hildegunde's Honnef kiss Lassie laughs leave left center left first entrance liberty light lips listen live Lo—ve looks marry mood Mordecai passion pause Peasants pity play Pleadingly pray Rhine river Roland of Rolandseck Roland's men rose scene seated shouting side sigh silence sits Slow music slowly smile soldiers soul speaks stage stands swashbucklers sweet sword takes tell Thanks thee thou thought tion to-night tone touch trifle turns Twas voice woman words world in motion
Page 82 - Oh threats of Hell and Hopes of Paradise! One thing at least is certain — This Life flies; One thing is certain and the rest is Lies : The Flower that once has blown for ever dies.
Page 19 - Sigh no more, lady, sigh no more ; Men were deceivers ever ; One foot on sea and one on land, To one thing constant never. Hadst thou been fond, he had been false, And left thee sad and heavy ; For young men ever were fickle found, Since summer trees were leafy.
Page 25 - Yet stay, fair lady, turn again, And dry those pearly tears; For see, beneath this gown of gray Thy own true-love appears. "Here forced by grief and hopeless love, These holy weeds I sought; And here, amid these lonely walls, To end my days I thought. "But haply, for my year of grace Is not yet passed away, Might I still hope to win thy love, No longer would I stay.
Page 18 - And nowe, alas ! for thy sad losse, I'll evermore weep and sigh; For thee I only wisht to live, For thee I wish to dye.
Page 57 - I'm not joking; and sew up the little places — the grief rends — made by the rude buffeting of the world, "and, — ELSA. [Continues in the same tone as used by him, but adds to it a feeling of womanly pride] And — sometimes we make the rent worse — don't we ? — and sometimes — we tear the work out of spite. [Crosses to the right.] CURIO. [Follows her and with manliness continues her thought] Yes, and sometimes the seamstress gets caught, too ! ELSA. [Turns round to him and laughs] Really?...
Page 19 - His cheek was redder than the rose; The comeliest youth was he! But he is dead and laid in his grave: Alas, and woe is me...