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Literature and Criticism
The Terms Classic and Romantic
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action Andromaque appear Aristotle artistic audience Calderon character circumstances classic comedy conception confusion conscience consciousness consists Corneille Corneille's Creusa criticism distinction divine drama dramatist Edipus effect emotions Eschylus Euripides expression fatal feeling finally former French Friedrich Schlegel genius genre German romanticism Goethe Greek tragedy Hamlet Hegel Heinrich von Ofterdingen Hence Hippolytus human idea illusion illustration imitation impossible impression incongruity intellectual intention interest kind King Lear least less literary literature Macbeth manner matter of fact means ment merely mind modern mood moral motive nature never Novalis Orestes Othello particular passion peculiar Phedre pity and horror play poet poetry principle problem Prometheus protagonist qu'il Racine Racine's reality reason result romantic romanticism romanticists scene Schlegel seems sense sentiment Shakespeare significance single Sophocles sort spirit stage style sure theatrical thing tion tragic qualm unity virtue whole wholly word Xuthus Zeus