This collection of essays responds to the recent radical overhaul in the editing of Romantic texts. Leading American and British editors of William and Dorothy Wordsworth, Coleridge, Byron, Percy and Mary Shelley, Leigh Hunt, Keats and Clare explain and illustrate the implications of their editorial methods for the ongoing process of revision (in texts and their reception) which they have reflected and helped to produce. The volume offers insights into the urgent debate over editorial practices and their theoretical bases, while uncovering the complex revisionary processes of creativity at the heart of Romantic writing.
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The Prelude and its peers
the question of text
the pedlars guilt in Wordsworths
history and imagination in The Prelude
Crossings out the problem of textual passage in The Prelude
Reflections on having edited Coleridges poems
Creative process and concealment in Coleridges poetry
Don Juan and the revisionary self
Shelleys manuscripts and the web of circumstance
writing Mont Blanc
the evolution of Leigh
Finding Mary Shelley in her letters
Keatss extempore effusions and the question of intentionality
Keatss two Hyperions and the problem of Milton
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Keine Leseprobe verfügbar - 2005