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The Historical Background
The Repertory and Theory of Medieval Chant
The Style and Liturgical Function of Medieval Chant
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American aria Bach Baroque Baroque music bass Beethoven Berlioz Brahms C. P. E. Bach cantatas cantus firmus cello chamber music chanson chant choral chords chorus Classical comic composers composition concertos contrapuntal dance dissonance dramatic early eighteenth century English ensemble example French genre German harmonic Haydn influence instruments isorhythmic Italian Italian opera Italy J. S. Bach Johann keyboard Liszt liturgical London madrigal major Mass medieval melisma melodies ment minor Missa motet movement Mozart musicians Musicology notation opera seria oratorios orchestra Paris patterns performance piano pieces plainsong played poem polyphonic popular posers psalm published quartets recitative Renaissance repertory rhythmic rhythms ritornello Romantic secular singers singing sixteenth century solo soloists sonata sonata form songs sound string structure style stylistic sung Symphony techniques tenor texture theme tion tonal tone tradition trio tunes University Press violin vocal voices vols W. W. Norton written wrote York