Self Impression: Life-Writing, Autobiografiction, and the Forms of Modern Literature

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OUP Oxford, Apr 22, 2010 - Literary Criticism - 608 pages
I am aware that, once my pen intervenes, I can make whatever I like out of what I was.' Paul Valéry, Moi. Modernism is often characterized as a movement of impersonality; a rejection of auto/biography. But most of the major works of European modernism and postmodernism engage in very profound and central ways with questions about life-writing. Max Saunders explores the ways in which modern writers from the 1870s to the 1930s experimented with forms of life-writing - biography, autobiography, memoir, diary, journal - increasingly for the purposes of fiction. He identifies a wave of new hybrid forms from the late nineteenth century and uses the term 'autobiografiction' - discovered in a surprisingly early essay of 1906 - to provide a fresh perspective on turn-of-the-century literature, and to propose a radically new literary history of Modernism. Saunders offers a taxonomy of the extraordinary variety of experiments with life-writing, demonstrating how they arose in the nineteenth century as the pressures of secularization and psychological theory disturbed the categories of biography and autobiography, in works by authors such as Pater, Ruskin, Proust, 'Mark Rutherford', George Gissing, and A. C. Benson. He goes on to look at writers experimenting further with autobiografiction as Impressionism turns into Modernism, juxtaposing detailed and vivacious readings of key Modernist texts by Joyce, Stein, Pound, and Woolf, with explorations of the work of other authors - including H. G. Wells, Henry James, Joseph Conrad, Ford Madox Ford, and Wyndham Lewis - whose experiments with life-writing forms are no less striking. The book concludes with a consideration of the afterlife of these fascinating experiments in the postmodern literature of Nabokov, Lessing, and Byatt. Self Impression sheds light on a number of significant but under-theorized issues; the meanings of 'autobiographical', the generic implications of literary autobiography, and the intriguing relation between autobiography and fiction in the period.
 

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Contents

Imaginary Authorship and Imaginary Autobiography Pessoa Joyce Svevo
iii
Taxonomies of Fictional Creativity Joyce continued and Stein
lxxv
Ezra Pound and Hugh Selwyn Mauberley
cxxix
Wyndham Lewis and Richard Aldington
ccvii
11Woolf Bloomsbury the New Biography and the New Autobiografiction
ccxxxvi
Postmodern Experiments in MetaAutobiografiction Sartre Nabokov Lessing Byatt
cccviii
Conclusion
cccxxxiii
Bibliography
ccclxxix

Henry James Joseph Conrad and Ford Madox Ford
lvi
PART IIMODERNIST AUTOBIOGRAFICTION
ii

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About the author (2010)

Max Saunders is Director of the Arts and Humanities Research Institute and Professor of English and Co-Director at the Centre for Life-Writing Research at King's College London.

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