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A DESCRIPTION OF SELFCONSCIOUS FORM
THE IMPLICATIONS OF SELFCONSCIOUS FORM
Drama as Revelation
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Abel action actor addicts aesthetic ambiguity American Drama American theatre Antonin Artaud appears apperception artist asserts attempt audience becomes begins calls Chapter character comedy commonsense connection in consciousness conscious form context Cowboy criticism Dickinson distinction Drama as Metaphor Drama New York Eric Bentley Ernie experience follows Francis Fergusson Gelber Goffman happens Harold Clurman Herbert Blau heroin human Ibid ideas illusion imagination implication improvisation J. L. Styan Jaybird jazz junkies Kenneth Burke Kernan kind Kostelanetz Leach life-drama Literature live Martin Gottfried meaning Metatheatre Modern Theatre Musician naturalistic nature open form originally published performance philosophy photographers Pirandello playwright problem question realism reality reference relationship Richard Gilman Richard Kostelanetz Robert Brustein Robert Edmond Jones role says scene seems seen self-conscious drama self-conscious form sense Solly somehow speaking spectator stage structure suggests Susanne Langer tells Theater New York theatrical thing tion truth Tulane Drama Review understanding