Sensuous Surfaces: The Decorative Object in Early Modern China

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Reaktion Books, Jun 25, 2010 - Art - 440 pages
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With Sensuous Surfaces, Jonathan Hay offers one of the most richly illustrated and in-depth introductions to the decorative arts of Ming and Qing dynasty China to date. Examining an immense number of works, he explores the materials and techniques, as well as the effects of patronage and taste, that together have formed a loose system of informal rules that define the decorative arts in early modern China.

Hay demonstrates how this system—by engaging the actual and metaphorical potential of surface—guided the production and use of decorative arts from the late sixteenth century through the middle of the nineteenth, a period of explosive growth. He shows how the understanding of decorative arts made a fundamental contribution to the sensory education of China’s early modern urban population. Enriching his study with 280 color plates, he ultimately offers an elegant meditation, not only on Ming and Qing art but on the importance of the erotic in the form and function of decorations of all eras.
 

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User Review  - pbjwelch - LibraryThing

I wanted so much to like this book, as I have read other articles by Jonathan Hay, but Sensuous Surfaces just didn't 'flow' for me. The best part by far were the pictures with the captions, and for ... Read full review

Contents

Introduction
7
The Decorative Object
19
The Surfacescapes Resources
107
From Surfacescapes to Objectscapes
269
References
397
Select Bibliography
417
Character List for Chinese
423
Acknowledgements
425
Photo Acknowledgements
426
Index
428
Copyright

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About the author (2010)

Jonathan Hay is Ailsa Mellon Bruce Professor of Fine Arts at the Institute of Fine Arts, New York University, He has written widely on the visual and material culture of Ming-Qing China, including Shitao: Painting and Modernity in Early Qing China (2001).

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