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The Intermediaries Between Composer
The General Audience for Art Music
Music of Two Decades
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Aaron Copland aesthetic American audiences American composers American music American Symphony Orchestra Antheil art composers Arthur artistic attended ballet Barber Carl Ruggles Carter Charles Seeger composer's compositions concerts conductors contemporary American contemporary composers contemporary music creative critics dance Depression dissonant early thirties Elliott Carter emotional ensembles European expression Federal Music Project feeling George Gershwin harmony hear heard Howard Hanson idiom intellectual jazz Koussevitzky later listeners Luening Marc Blitzstein melody Metropolitan Opera Modern Music music lovers music public Musical America musical culture Musical Quarterly musicians Nadia Boulanger native composers native music never Olin Downes Overture Paris Paul performance Philadelphia Orchestra piece Piston played popular radio Rhapsody rhythms Riegger Roger Sessions Roy Harris Ruggles Samuel Barber says score Second Symphony Seeger serious composer Sessions's soloists Sonata song sound Stokowski Stravinsky style taste theme tonal Toscanini traditional tunes twenties United Virgil Thomson wrote York City York Philharmonic