Sexual subjects: signification, viewership. and pleasure in film and video |
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Contents
Systems of Sexual Representation in Film and Video | 2 |
Personal Best and the LesbianFeminist Audience | 41 |
The Hypothetical Lesbian Heroine | 79 |
Copyright | |
15 other sections not shown
Common terms and phrases
Acconci activity androgyny appropriation argue artists bisexual bivalent kiss body camera Chapter character's characters chicken Chris Christopher Strong classical codes construction conventional costume crossdressing culture deconstruct desire diegetic diegetic audience discourse discussion disguise dissertation distance Dorothy Arzner erotic exist experience female bonding female impersonator feminine feminist film feminist film theory film theory film's function gaze gender genre heterosexual his/her homosexual identification ideology imagery implied Laura Mulvey lesbian lesbian/feminist look Mary Ann Doane masculine masquerade movie Mulvey music video Narrative Cinema narrative film opposition patriarchal penis performance art Personal Best phallic plot position postmodern potential present reading relationship role scene Semiotics sexual difference sexual representation She-man shots signifier simultaneously Sobel speaking subject specific speech act strategies structure suggests Sylvia Scarlett tape television temporary transvestite films textual Tingloff Toddy Torrie transgression transvestism Victor/Victoria Victoria video art viewership viewing Visual Pleasure Voyage en Douce woman women Yentl
Bibliographic information
| Title | Sexual subjects: signification, viewership. and pleasure in film and video |
| Author | Arny Christine Straayer |
| Edition | reprint |
| Published | 1989 |
| Original from | the University of Michigan |
| Digitized | Feb 26, 2008 |
| Subjects | › › Art / Digital & Video Performing Arts / Film & Video / General Sex in motion pictures Video art |
| Export Citation | BiBTeX EndNote RefMan |