Shakespeare and the Editorial TraditionJackson Eli Reynolds Professor of Humanities Stephen Orgel, Stephen Orgel, Sean Keilen Taylor & Francis, 1999 - 418 pagini Shakespeare has never been more ubiquitous, not only on the stage and in academic writing, but in film, video and the populuar press. On television, he advertises everything from cars to fast food; his imagined love life was declared the best movie of 1998; his birthplace, the tiny Warwickshire village of Stratford-Upon-Avon, has been transformed into a theme park of staggering commercialism, and the New globe, in its second season, is already a far bigger business than the old Globe could have ever hoped to be. If popular culture cannot do without Shakespeare, continually reinventing him and reimaging his drama and his life, neither can the critical and scholarly world, for which Shakespeare has, for more than two centuries, served as the central text for analysis and explication, the foundation of the western literary cannon, and the measure of literary excellence. The canonical Shakespeare is a product of publication, commentary, editorial intervention, elucidation, and criticism. The essays collected in these volumes reveal is fully as multifarious as the Shakespeare of theme parks, movies and television, and indeed, is part of the continuing reinvention of Shakespeare. The essays are drawn for the most part from work done in the past three decades, though a few essential, enabling essays from an earlier period have been included; and they not only chart the directions taken by Shakespeare studies in the recent past, but they serve to indicate the enormous and continuing vitality of the enterprise, and the extent to which Shakespeare has become a metonym for literary and artistic endeavor generally. |
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Cuprins
Shakespeare and the Arts | 1 |
Shakespeare and Gender | 2 |
Shakespeare and History | 3 |
Shakespeares Poems | 4 |
Shakespeare and the Editorial Tradition | 5 |
Shakespeare and the Interpretive Tradition | 6 |
Shakespeare and the Literary Tradition | 7 |
Shakespeare in the Theatre | 8 |
The Authentic Shakespeare | 91 |
What Is an Editor? | 117 |
Inventing Shakespeare | 124 |
Editing Shakespeare Today | 144 |
McKerrows Suggestion and TwentiethCentury Shakespeare | 153 |
Repunctuation as Interpretation in Editions of Shakespeare | 179 |
Shakespeares Ghost Writers | 194 |
What? in a names that which we call a Rose | 253 |
Political Shakespeare | 9 |
Postmodern Shakespeare | 10 |
Making Love to Our Employment Or the Immateriality | 31 |
Response to Pechter | 49 |
UN Editing Shakspeare | 60 |
The Two Versions of Henry V | 313 |
The Form of Hamlets Fortunes | 347 |
The Folio Copy for Hamlet King Lear and Othello | 378 |
Termeni și expresii frecvente
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Informații bibliografice
| Titlu | Shakespeare and the Editorial Tradition Volumul 5 din Shakespeare, the critical complex Volumul 5 din Shakespeare: The Critical Complex. Shakespeare and the Editorial Tradition / Ed. with an Introd. by Stephen Orgel, Stephen Orgel The Scholarly Literature Series |
| Editori | Jackson Eli Reynolds Professor of Humanities Stephen Orgel, Stephen Orgel, Sean Keilen |
| Persoane care au contribuit | Stephen Orgel, Sean Keilen |
| Ediție | ilustrată |
| Editor | Taylor & Francis, 1999 |
| ISBN | 0815329652, 9780815329657 |
| Lungime | 418 pagini |
| Exportă citatul | BiBTeX EndNote RefMan |