Shakespeare's Books: A Dictionary of Shakespeare Sources
This encyclopedia-style Dictionary is a comprehensive reference guide to Shakespeare's literary knowledge and recent scholarship on it. Nearly 200 entries cover the full range of literary writing Shakespeare was acquainted with, and which influenced his own work, including classical, historical, religious and contemporary works. It provides an overview of his use of authors such as Virgil, Chaucer, Erasmus, Marlowe and Samuel Daniel, whose influence is across the canon. Other entries cover anonymous or collective works such as the Bible, Emblems, Homilies, Chronicle History plays and the Morality tradition in drama. Entries cover writers and works whose importance to Shakespeare has emerged more clearly in recent years due to new research. Others describe and explain current thinking on long-recognized sources such as Plutarch, Ovid, Holinshed, Ariosto and Montaigne. Entries for all major sources, over 80 in number, feature surveys of the writer's place in Shakespeare's time, detailed dicussion of the relationship to Shakespeare's plays and poems, and full bibliography. Sample passages from writers and texts of early modern England allow the volume to be used also as a reader in the literature commonly known in Shakespeare's era; these excerpts, together with reproductions of pages and illustrations from the original texts, convey the flavor of the material as Shakespeare would have encountered it.>
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All’s Antony Arden Shakespeare Baldwin Belleforest Bible biblical Boccaccio Book Bullough Caesar Cambridge character Chaucer Chronicle History Cinthio classical Cleopatra Comedy Coriolanus Cymbeline Daniel drama dramatists editions Elizabethan emblem England English translation Erasmus Essays example ﬁgure ﬁnds ﬁrst French Gower Greek Greene’s Hamlet hath Henry Henry VI History Plays Holinshed homilies inﬂuence Italian John King Lear Latin literary London ﬁrst published Lyly’s Macbeth Marlowe Marlowe’s material Midsummer Night’s Dream Mirror for Magistrates Montaigne moral More’s Muir narrative Othello Ovid Ovid’s Oxford parallels passage perhaps Pericles Plautus play’s playwright plot Plutarch poem Poet Prince prose reﬂect Renaissance Richard Richard II Robert romance Romeo scene Seneca Shake Shakespeare’s play ShSt ShSu Sidney’s signiﬁcant sixteenth century Sonnets speare speare’s speciﬁc speech story Studies suggested tale thee Thomas thou Timon Titus Titus Andronicus tradition tragedy Troilus and Cressida unto verbal echoes verse writers