Shakespeare's Universal Wolf: Studies in Early Modern ReificationShakespeare was neither a Royalist defender of order and hierarchy nor a consistently radical champion of social equality, but rather simultaneously radical and conservative as a critic of emerging forms of modernity. Hugh Grady argues that Shakespeare's social criticism in fact often parallels that of critics of modernity from our own Postmodernist era. Thus the broad analysis of modernity produced by Marx, Horkheimer and Adorno, Foucault, and others can serve to illuminate Shakespeare's own depiction of an emerging modernity - a depiction epitomized by the image in Troilus and Cressida of 'an universal wolf' of appetite, power, and will. The readings of Troilus and Cressida, Othello, King Lear, and As You Like It in Shakespeare's Universal Wolf demonstrate Shakespeare's keen interest in what twentieth-century theory has called 'reification' - a term which designates social systems created by human societies but which confront those societies as operating beyond human control, according to an autonomous 'systems' logic - in nascent mercantile capitalism, in power-oriented Machiavellian politics, and in the scientistic, value-free rationality which Horkheimer and Adorno call 'instrumental reason'. |
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Inhalt
A Postmodernist Shakespeare The Current | 11 |
Reification in Early and Late | 26 |
Commodification and Reification | 58 |
Reification and the Plebeian | 137 |
Desire | 181 |
Shakespeare and the Postmodern Condition | 213 |
237 | |
Häufige Begriffe und Wortgruppen
Adorno appears argued argument associated attempt autonomous becomes called central century chapter classic communal complex concept constructed contain context course created critical critique cultural defined desire developed dialectic discourse discussion Drama earlier early effect Elizabethan emerging Enlightenment fact figure final forms Foucault Frankfurt give Greek heroic historical Horkheimer human Iago Iago's idea idealized ideology important instrumental reason interpretation Italy kind King Lear late Lear's less linked logic London major Marxism material meaning nature object Othello play play's political position possible present Press problems produced question rationality reading reason recent reification relation Renaissance represented resistance rhetoric seems seen sense sexual Shakespeare signifying similar social society space structure studies subjectivity suggests Symbolic texts thematic theme theory thing thinking traditional Tragedy Troilus and Cressida turn Ulysses understanding University University Press utopian values York
Verweise auf dieses Buch
A Companion to Shakespeare's Works, A Companion to Shakespeare's Works: The ... Richard Dutton,Jean E. Howard Keine Leseprobe verfügbar - 2003 |
A Companion to Shakespeare's Works, A Companion to Shakespeare's Works: The ... Richard Dutton,Jean E. Howard Keine Leseprobe verfügbar - 2003 |