Gary Fredric Waller
Longman, 1991 - Literary Collections - 224 pages
Discusses: The Comedy of errors, The Taming of the shrew, Love's labour's lost, A Midsummer Night's Dream, The Merchant of Venice, Much Ado about Nothing, As you like it, Twelfth Night, All's Well that ends well, Measure for measure.
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Much Joy Some Terror Reading
The Comedy of Errors
The Taming of the Shrew
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action androgyny Antonio anxiety argues assertion audience authority Bassanio Beatrice Beatrice's Benedick Bertram bond broken nuptials Carnival characters Claudio Comedy of Errors comic contemporary criticism cuckoldry cultural desire disguise dominant drama Duke Elizabethan essay experience fantasy father fear female feminist festive fiction final Freud gender Helena Hermia Hermia's dream Hero husband ideal identity ideology Jonathan Dollimore Kate Kate's ladies language literary literature London lords Love's Labour's Lost lovers Lysander male marriage masculine masque means Measure for Measure Merchant of Venice Midsummer Night's Dream mother nature object Orlando patriarchal play's political Portia potential problem comedies production psychoanalytic reading relations relationship Renaissance ring plot ritual role romantic comedies Rosalind scene sexual Shakespeare Shakespeare our Contemporary Shakespeare's comedies Shakespeare's plays Shrew Shylock social society speech structure suggests symbolic Taming theatre theme theory traditional transgression Twelfth Night University Press wife woman women