Shakespearean Sensations: Experiencing Literature in Early Modern England

Front Cover
Katharine A. Craik, Tanya Pollard
Cambridge University Press, Feb 7, 2013 - Literary Criticism - 244 pages
0 Reviews
This strong and timely collection provides fresh insights into how Shakespeare's plays and poems were understood to affect bodies, minds and emotions. Contemporary criticism has had surprisingly little to say about the early modern period's investment in imagining literature's impact on feeling. Shakespearean Sensations brings together scholarship from a range of well-known and new voices to address this fundamental gap. The book includes a comprehensive introduction by Katharine A. Craik and Tanya Pollard and comprises three sections focusing on sensations aroused in the plays; sensations evoked in the playhouse; and sensations found in the imaginative space of the poems. With dedicated essays on Hamlet, Macbeth, Othello and Twelfth Night, the collection explores how seriously early modern writers took their relationship with their audiences and reveals new connections between early modern literary texts and the emotional and physiological experiences of theatregoers.
 

What people are saying - Write a review

We haven't found any reviews in the usual places.

Contents

Feeling fear in Macbeth
29
Hearing Iagos withheld confession
47
Selflove spirituality and the senses in Twelfth Night
64
Conceiving tragedy
85
Playing with appetite in early modern comedy
101
Notes towards an analysis of early modern applause
118
Catharsis as purgation in Shakespearean drama
138
Epigrammatic commotions
157
Poetic making and moving the soul
173
IO Shakespearean pain
191
Senses of an ending
208
Bibliography
218
Index
239
Copyright

Other editions - View all

Common terms and phrases

About the author (2013)

Katharine A. Craik is Senior Lecturer in Early Modern Literature at Oxford Brookes University. Her publications include Reading Sensations in Early Modern England (2007) and an edition of Jane Collier's An Essay on the Art of Ingeniously Tormenting (2006). She has published articles in Shakespeare Quarterly, Studies in English Literature, The Seventeenth Century and The Huntington Library Quarterly. She has been working for ten years as a librettist and her first opera was commissioned in 2004 by English National Opera. Her most recent project, an opera entitled The Quicken Tree based on Spenser's The Faerie Queene, premièred in Edinburgh in March 2011.

Tanya Pollard is Professor of English at Brooklyn College and the Graduate Center, City University of New York. Her publications include Drugs and Theater in Early Modern England (2005), Shakespeare's Theater: A Sourcebook (2004), essays in journals including Shakespeare Studies and Renaissance Drama and chapters in numerous volumes including, most recently, The Oxford Handbook of Shakespeare (2011) and The Cambridge Companion to English Renaissance Tragedy (2010). She is currently writing a book about the sixteenth-century reception of Greek plays and their impact on English conceptions of dramatic genres.

Bibliographic information